Find the correct order of communication models in their chronological years: (A) FEX Dance — Lasswell — Osgood and Schramm — Shannon and Weaver (B) Shannon and Weaver — Lasswell — Osgood and Schramm — FEX Dance (C) Shannon and Weaver — Osgood and Schramm — Lasswell — FEX Dance (D) Lasswell — Shannon and […]
correct order of communication models in their chronological years Read More »
Match List I (Newspaper) with List II (Year): List I (Newspaper) List II (Year) (a) Anand Bazaar Patrika (i) 1920 (b) Sakal (ii) 1922 (c) Mathrubhoomi (iii) 1932 (d) Aaj (iv) 1876 Codes: (a) (b) (c) (d) (A) (i) (ii) (iii) (iv) (B) (iv) (ii) (i) (iii) (C) (i) (iv) (ii) (iii) (D) (iv) (iii)
Evolution of Indian Newspapers and Their Founding Years Read More »
Match List I (Communication model) with List II (Author): List I (Communication model) List II (Author) (a) Sociological view of communication (i) Mc Combs and Shaw (b) Spiral of Silence (ii) De Fleur (c) Agenda Setting (iii) Riley and Riley (d) Dependency (iv) Galthung and Ruge (e) Selective gate-keeping (v) Noelle-Neumann Codes: (a) (b)
Key Communication Models and Their Theorists Read More »
Match List I (Book) with List II (Author): List I (Book) List II (Author) (a) India’s Newspaper Revolution (i) Walter Lippmann (b) Public Opinion (ii) Vanita Kohli (c) Small is Beautiful (iii) Thomas C. Friedman (d) Indian Media Business (iv) Robin Jeffrey (e) The World is Flat (v) Schumacher Codes: (a) (b) (c) (d) (e)
Books and Their Authors in Media, Economics, and Globalization Read More »
Match List I (Book) with List II (Author): List I (Book) List II (Author) (a) Warrior of the Fourth Estate (i) Bill Gates (b) Future Shock (ii) B. G. Verghese (c) The Road Ahead (iii) Daniel Lerner (d) The Passing of the Traditional Society (iv) Alvin Toffler Codes: (a) (b) (c) (d) (A) (iii) (iv)
Notable Books and Their Authors in Media and Technology Read More »
Match List I (Folk Media) with List II (States): List I (Folk Media) List II (States) (a) Yakshagana (i) Haryana (b) Burrakatha (ii) Maharashtra (c) Tamasha (iii) Karnataka (d) Saang (iv) Andhra Pradesh Codes: (a) (b) (c) (d) (A) (i) (ii) (iii) (iv) (B) (iii) (iv) (ii) (i) (C) (ii) (iv) (i) (iii) (D) (iv)
Folk Media in India: Read More »
Assertion (A): The “Law” of the suppression of radical potential, will act as a brake on innovation to protect the social or corporate status quo. Reason (R): The institutionalization of all technologies has led to the suppression of any radical tendency and there is no particular reason to suppose that this will be different with
The Suppression of Radical Potential in Technological Innovation Read More »
Assertion (A): Visual emphasis is directly related to the size of the subject in the shot. A close-up, by definition, excludes all other picture elements except the principal subject from the viewer’s attention. Reason (R): As the shot widens out to include more of the principal subject and less of the background area, the principal
Understanding Visual Emphasis in Film Shots Read More »
