Experimental Filmmakers and Their Approach to Cinema
Assertion (A): The experimental filmmakers, whether favouring rhythmical abstraction or surrealistic projections of inner reality, approach the cinema with conceptions which alienate it from nature. Reason (R): They are ignoring the spirit of modern printing and literature and preferring creativity that inhibit camera exploration of reality. (A) Both (A) and (R) are true (B) Both […]
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