Mass Media Audience and Anonymity Assertion (A): The mass media audience is neither organised nor self-acting. Reason (R): Anonymity is Read More »
Experimental Filmmakers and Their Approach to Cinema Assertion (A): The experimental filmmakers, whether favouring rhythmical abstraction or surrealistic projections of inner reality, Read More »
Newcomb’s Model of Communication and Balance Assertion (A): Newcomb’s model implies that any communication system may be characterized by a balance Read More »
Impact of Violence and Sex on Commercial Entertainment Assertion (A): The market finds that violence and sex draw larger audiences, therefore commercial entertainment Read More »
Observers vs. Participant Receivers in Communication Assertion (A): Relative to participant receivers, observers represent lesser independence with senders. They offer a Read More »
Understanding Cuts in Video Editing: The Art of Transition Assertion (A): A cut from one shot to another is similar to what our eyes Read More »
Survey Design: A Guide to Crafting Effective Surveys Assertion (A): Designing an effective survey study involve a series of challenging decisions. The sample Read More »
Understanding Authoritarian Theory in Media Assertion (A): Authoritarian Theory undermines advance censorship and punishment for deviation from rules laid down Read More »